Chasing grain, bloom, and 35mm frames. Blender is my jam; open source is the mission.
In an era of instant digital perfection, analog film forces mechanical patience. I walk the city streets at night with manual 35mm and medium format gear — seeking atmosphere, motion blur, natural halation, and organic grain over clinical sharpness.
Browse Photography Archive
By day, I work in big tech marketing creating commercial video campaigns, motion design, and visual narratives. From 2D vector animation to complex 3D scenes, my focus is rhythm, storytelling, and surgical pacing that holds attention.
Watch Commercial Video ReelWhen the workstation sleeps, the server rack runs. I host my own services, reverse proxies, and local AI pipelines using Docker, n8n, and Ollama. Building interactive experiments like GregBot is where creative motion design meets systems engineering.
Enter The Sandbox LabA living snapshot of current obsessions, tools in heavy rotation, and what is currently in my bag.
Building local AI agent workflows, optimizing Ghost theme performance, and experimenting with node-based procedural animation.
Nikon F3 loaded with Kodak Gold 200, paired with a 50mm f/1.4 AI-s for street lighting and dusk walks.
Ambient electronic and synthwave on repeat while animating; weekend strategy and tabletop board game sessions.
Clean rundowns of the production hardware, analog bodies, and self-hosted infrastructure powering my work.
Explore more of my work across video, photography, and experiments.
Commercial motion design, broadcast animation, and client projects.
Analog photo stories from Toronto streets, night walks, and travels.
Experimental web tools and AI playgrounds straight from the home lab.
Have a video project in mind, want to inquire about a photo print, or talk home lab setups? Drop me a line below.